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by software artist Scott Draves. You may also follow me on google+ or twitter, buy art, or join me on facebook.
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Last night I finally watched Renegade the movie known as Blueberry in
its original French. We watched with subtitles. I had been told I must see it because it uses
FLAM3 graphics and indeed there are about 3 places where
a clear, delicate white fractal flame appears as a layer. It is just one of many effects in a visual
movie divided between trip sequences and truly awesome southwest american landscapes
and time-lapses.
This isn't the first time flames have been used in a film, but it is the first time that they've been mentioned by name in the credits. In the effects section, there's one line for "3D graphics", one line for "2D graphics", and one line for "Flame graphics". A category of my own :) thanks guys! Someday someone should update the AEFlame plugin with the latest FLAM3 module....
Here's a new experimental
FLAM3 feature: color shifting. In these four images the parameter is
set from 0 (original, normal, unshifted) to 0.001, 0.01, and 0.04.
Without color shifting this
sheep, by Chris Ursitti, cannot be adjusted to use more of the
palette. It is inherently almost monochrome because one of its xforms
dominates in weight. So the color coordinate converges, and you get
monochrome. But if you reduce the weight, the shape is ruined. The
color shifter recognizes convergence and breaks it by shifting the
palette as long as the coordinate remains fixed.This hack is only a few lines of code in flam3.c and is checked into CVS.
If you are on windows try the 2.6.6 from David McGrath with BitTorrent built-in.
On Linux v2.6.5 supports using Azureus with its RSS Plugin to download sheep. Configure it to drop the torrents from the feed directly into "~/.sheep".
On Mac you can use azureus like on linux, but you have to move the sheep into your cache directory manually.
If you have a firewall then you must forward ports 6881 to 6889 for BitTorrent to work properly. Or you can configure the client to use a different port range.
I first tried to defend myself by using a filter of spam URLs that was collaboratively maintained. No matter how often I updated the db and how often I added my own patterns to it, I couldn't keep up with spam in my blog. It came in piles, 20 at a time.
I then switched to a Captcha, a puzzle or question that is difficult for a robot to answer. Most are based on vision or reading, making them a problem for the visually impaired, but that's a whole nother story. The good news is the spam stopped... for a while. It seems the robots had learned to decode the aberration to the text introduced by the captcha. I altered the code to do something different, but the spam came back. I altered it again to the point where it's difficult for a person to read. This game of cat and mouse has played out over months and years that I have run this blog. Captcha Wars are going on all over the internet.
And now the spam is back again, about one per day. It's different than it used to be though, now instead of batches of similar messages it's just one or two. At this point I suspect a sweatshop.
Shout-out for Brit Baker talented potter and my cousin. Last week had dinner
with my dear Aunt Corny & Uncle Phil, his parents. We ate on Brit's plates and
bowls and I loved their abstract zen look. If you find yourself up the Hudson
valley, drop by his gallery
in Accord, NY or order by phone for shipment anywhere.
Electric sheep is not only the most visually rich and compellingly beautiful VJ graphics program I have seen, it is also one of the best examples of emergent collective intelligence arising out of a distributed peer-to-peer network. Sheep are systems theory made real—augmented electronic evolution where swarms of human preference and aesthetic discernment shape the evolution of the flock—just as humans have for millennia shaped the characteristics of our real sheep, and show dogs, and any other products of intentional breeding, these virtual flocks are shaped by the decisions of humans, now not individually, but in a constant flux of dynamic democratic negotiation. Real politic in America would do well if the electorate actually behaved as intelligently as these electronic sheep instead of the real sheep they/we seem to resemble.I wonder sometimes about the "democracy" of the sheep. About a year ago I changed the genetic algorithm to use a logarithm of popularity to effect breeding instead of a linear relationship. Why? It was acting too winner-take-all, only the top rated sheep were reproducing. I felt like I had just instituted progressive taxation. I don't mean this as a claim to liberalness, or benificence because nobody kills more sheep than I do. And for all I know the run-away reproduction resulted from unrelated design flaw, and my solution was just a hack. I mean to suggest a question. If we can measure how well the GA is working (by counting the votes it receives) then perhaps we can compare different political systems. At least, assuming you're a sheep.
thank you jim.
Last night I was interviewed live on The New Yorkers, broadcast on TV26 and 35
in NYC, 11pm - 1am. The show will be aired 10 times at the same time over the
coming weeks. James Chladek and I chatted about the Dreams
in High Fidelity my new artwork.
The program is also simultaneously webcast worldwide.
Steve Kurtz is an peaceful academic being persecuted as a bioterrorist.
Why we can only guess. On its face it appears as a politically motivated attempt to silance an artist whose
work is critical of government policy. Organizational momentum, inability to admit errors, and political correctness (of the right-wing variety) may play a role.
The only thing we can be sure of is that Steve Kurtz is innocent. Unfortunately
he needs to prove that to the court, and lawyers are not cheap. Please help Steve.