by software artist Scott Draves. You may also follow me on google+ or twitter, buy art, or join me on facebook.
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The Summit was full of interesting people and the presentations were very high quality. Thanks Michael & Aruna!
So reads the caption of this famous anonymous engraving, called the Flammarion because its first documented appearance is in Camille Flammarion's 1888 book L'atmosphère: météorologie populaire.
Who has felt like this, glimpsing the Merkabah? Plus, it sounds like "Flame Algorithm".
This version was colored with crayon and is Copyright Roberta Weir 1970.
Abstract: Physicist Julien Clinton Sprott demonstrated a correlation between aesthetic judgments of fractal images and their fractal dimensions. Scott 'Spot' Draves, a computer scientist and artist, has created a multidimensional space of colored fractal images (called flames), generated from two-dimensional iterated function systems, and an algorithm that expands them into brief animations (called electric sheep). His website, electricsheep.org, serves electric sheep as screen-savers to a large community of regular users, via the sheepserver, which is highly interactive. Both server and users generate new sheep. The users vote electronically for the sheep they like while the screen-saver is running. In this report we proceed from Sprott to Spot. Data from Spot's website show significant correlations between aesthetic judgments for sheep and their fractal dimension, similar to reports by colleagues of Sprott who use Sprott's chaotic attractors as images. Presently, we are studying the variation of this correlation over time, to determine if there are similarities or differences in the evolution of aesthetic preferences with respect to fractal dimension as Taylor has found in the evolution of Pollock's art.
[PDF] 20 pages with 6 figures, 6.7 MB